The Sequenza-Series is considered to be one of the most important cycles of the 20th century. Luciano Berio: Sequenza I for flute | UE November Berio’s Sequenza I has been a part of the modern flutist’s cannon ever since it’s publication in by Zerboni in Milan. The. Berio Sequenza Audio Recording and Saunders Bite. Posted on . Luciano Berio’s Sequenza no.1 for flute is one of my favorite pieces.

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The recording is available through the Musikfabrik Label, which is a digital platform that offers multiple download choices — please browse the catalogue, you might find other recordings that interest you! I practice like this with either one or two movements of Bach. This is one reason it is not my sequfnza piece to listen to. It was so cold that it has taken my skin and lips days to recover.

Streams Videos All Posts. Sequenzas; Due Pezzi; Musica Leggera; etc. This winter break has been very stressful.

I have only the following reservations: Berio’s precedents in this regard include the solo flute and other solo instrumental works of Bachbut the harmonic language of the twentieth century required a new approach to this “virtual polyphony. I was lucjano to another local flutist who had worked with Berio on the Sequenza.

Luciano Berio: Sequenza I

No rehearsals or teaching this early in the year. Although watching oneself opens another can of worms.

Flute Visions of the 20th Century. But I do own the new addition, and am finding it more useful than ever this time around to answer questions about timing. But the Dutch premiere is scheduled for the Concertgebouw May There is an unwritten book inside me about this work, but for now I would like to consider one aspect of the work that often gets ignored: Drinking Hanging Out In Love.


Sustained pitches are set against fast passagework, high is set against low, aggressive against introspective: The video has not been issued yet, but I hope that when it comes out it will offset my disquiet. Often there are rapid, virtuosic passages punctuated by the stillness of a single note, where the quality of sound and the relationship to its environment are of utmost importance.

Gerio am unashamedly playing from the old edition.

This kind of “open” structure allows for flexibility within an otherwise rigorous form. This is how I want to feel during the recording. Well, I have news for you, Sr.

Sequenza I, for flute | Details | AllMusic

Family can be stressful, my son is at a difficult age, I myself am at a difficult age. So I warm up, play Bach for sound, articulation, style beril focus. Here is an example of her graphic score, Stripsody https: Please enable JavaScript in your browser to use the site fully. But now back in the saddle of my bicycle in the temperate zone of Northwestern Europe, I have hit my stride.

Sequenza I, for flute

The pitch materials of Sequenza I are initially simple, consisting primarily of descending chromatic scale passages that incorporate octave displacement and rhythmic ambiguity. So how do you prepare, follow the score or the recorded performance?

Sequenza I was written for the flutist Severino Gazzelloniwho premiered the work at Darmstadt in In free-tonal music there is also a hierarchy of intervals, the most important points of orientation being the prime intervals octaves, fifths, fourthsespecially when they form tones seuqenza draw attention to themselves.

Berio notated the piece so that an sequebza staff line has a fixed duration, while the durations of individual notes bedio indicated proportionately–that is, a small distance between one note and the next denotes a short duration, whereas a greater distance flutd a longer duration. Genre Chamber Seqeunza Classical. Her theatricality, her agility, never cease to inspire me. Luciano Berio’s Sequenza I for flute is an example of a partially indeterminate musical form.


This juxtaposition of regulated versus improvisatory musical materials, however, was not the main impetus behind Sequenza I. Sexy Trippy All Moods. Share on facebook twitter tumblr. Romantic Evening Sex All Themes. Here is the link. So many other projects have been realized since our session in January that there has been a large gap between recording and release, but we have made sure the recording is decent. I was with my family in St. Spontaneity in kuciano, then, comes from the moment-to-moment adjustments of rhythm and performance gesture called for by Berio’s suggestive–rather than prescriptive–notation.

From A to Z, Vol. AllMusic Featured Composition Noteworthy. Like Berio’s successive solo works–and apart seqeunza certain rhetorical-historical commentary that may be present in these–Sequenza I embodies a quest for counterpoint and harmony through the means of a single melodic line.

The actual realization of such guidelines is left to the player in such a way that specific elements in the score will vary with each performer and each performance.

In general, there are rules of thumb for atonal solo works. Jazz Latin New Age. Then for the rest of the day I do my Helen stuff, read, hang out with family, watch dumb and smart stuff on Youtube, study Jazz.