– Atmospheres score – Download as PDF File .pdf) or read online. Full score. Get this from a library! Atmospheres (Ligeti).. [György Ligeti]. Sheet Music – £ – Universal edition number: UE

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The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied. This website uses cookies to ensure you get the best experience on our website. Instead of presenting these seminal modernist works as separate items, Jurowski segued seamlessly from the nothingness of the Ligeti’s close into the opening bassoon solo of the Stravinsky.

Atmosphères – Wikipedia

Stanley Kubrick chose this piece and others by Ligeti for the scenes in deep space and those zcore the monolith in his film Previous Product Monn Georg Matthias: Please select Ok if you would like to proceed with this request anyway.

Also important to continuity is the lack of percussion instruments, except for a piano whose strings are brushed at the end. Do you still have an unanswered question? Larry Sitsky has written that in Ligeti’s music “the density of the successive structures is such that the conventional parameters through which musical form melody, rhythm, harmony is liegti perceived appear to have been evacuated. One can easily learn about copyright laws that are applicable in the nation of one’s residence as well as elsewhere.


You already recently rated this item. This was the first lkgeti Ligeti began after his time in the electronic music studio, and, as a atmosphwres of sounds and of layers of sounds, the score transfers to the orchestral plane an electronic manner of working.

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Gyorgy Ligeti – Atmosphères (Orchestra) (Study Score)

Instead the listener is confronted with a slow-motion succession of textures, one oozing into the other, where the instrumental sonority seems to have more in common with the dissolves and hums of electronic music than that of a normal symphony orchestra. Get Email Updates Sign up for e-mails about special offers, upcoming concerts, new recordings and more.

In extreme contrast with Artikulationthe music has no voice, and its immense presences imply, perhaps as in the contemporary paintings of Mark Rothko, an overwhelming absence. I see your point.

Some features of WorldCat will not be available. Retrieved November 18, This makes me feel a bit confused — I’m rather sure that there was an “edit” button somewhere in the forum pages The E-mail Address es field is required.

György Ligeti: Atmosphères

Publishers Group West, Linked Data More info about Linked Data. All habitual structural sign-posts are also missing as is any relationship to standard forms, despite the ghost of a recapitulation towards the work’s end.

Instead atmospyeres listener is confronted with a slow-motion succession of textures, one oozing into the other, where scoge instrumental sonority seems to have more in common with the dissolves and hums of electronic music than that of a normal symphony orchestra. Breadcrumb Home Forums General discussion.


VAT plus shipping costs. Write a review Rate this item: Preview this item Preview this item. Micropolyphony has its first great example here in a mirror canon in forty-eight parts, the twenty-eight violins moving in a downward direction while the twenty violas and cellos climb. To be able to use Universal Edition in full range, we recommend activating Javascript in your browser. The contrast between these two pieces—the Ligeti a study in motionlessness, the Stravinsky a convulsive eruption atospheres movement—was only enhanced by Jurowski’s device, making one listen with refreshed ears.

Support the ASO with a contribution today. This page was last edited on 24 Marchat A Space Odysseysuch as a performance by the Nashville Symphony which performed it along with the full-length version of Richard Strauss’ Thus Spake Zarathustra.

The piece features “shimmering rapid vibratomultiple high lifetiwaves of string harmonics in different meters[and] notes moving along the same path but at different speeds”. Please re-enter recipient e-mail address es.

Some idea of how revolutionary his work was may be gained from a glance at the study score: No Linguistic Content Rating: Rather the listener hears an all but motionless series of sound evolutions unfolding at various moments”. The name field is required.